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The hyperbass flute is the largest and lowest pitched instrument in the flute family, with tubing reaching over 15 metres in length. It is pitched in C, four octaves below the concert flute (three octaves below the bass flute, two octaves below the contrabass flute, and one octave below the double contrabass flute), with its lowest note being C0, one octave below the lowest C on a standard piano. At 16 Hz, this is below what is generally considered the range of human hearing (20 to 20,000 Hz). The hyperbass flute is made of PVC and wood.〔Photographs on web site of Roberto Fabbriciani: (photo 1 ), (photo 2 ), (photo 3 ). Retrieved on 15 March 2007〕 There appear to be wide tone holes, made from standard tee fittings, but without keys; these are covered with the palms of the hands. The first known example of the instrument was built by Francesco Romei, a Florentine craftsman, for Italian flautist Roberto Fabbriciani. Fabbriciani is the inventor and primary performer of this instrument. He calls it ''hyperbass flute'' and ''flauto iperbasso'' in Italian. Low flute specialist Peter Sheridan commissioned the first fully chromatic hyperbass flute from the Dutch maker Jelle Hogenhuis in August 2010. ==Repertoire== The first composition for the hyperbass flute with live electronics and magnetic tape is ''Persistenza della memoria'' by Alessandro Grego, published in 2001 by the ARTS label on the CD ''Flute XX vol.2''.〔(【引用サイトリンク】title=Roberto Fabriciani – Flute XX 2 – Amazon.com Music )〕 In 2002, the Italian composer Nicola Sani composed ''Con Fuoco'' (for hyperbass flute and 8-track magnetic tape), which Fabbriciani recorded at the electronic studio of the Westdeutscher Rundfunk (WDR) in Cologne, Germany. The track was released on a CD entitled ''Elements'' on the Stradivarius label.〔(【引用サイトリンク】title=Italian Vacation 6. )〕 In 2002, Adriano Guarnieri ''Medea'' opera di video per soli, voce morbida, coro, orchestra, assoli strumentali e live electronics (2000) l'opera-video Medea, per soli, coro e orchestra a Venezia, Teatro la Fenice (2002). Nicola Sani ''Diotima e Euridice'' (2005). Opera da camera per voci, strumenti e elettronica su testo a cura dell’Autore (70’) Zagreb, Music Biennale Zagreb 2005, Zagreb Puppet Theatre, 21.4.2005 – fl. R. Fabbriciani In 2007, Adriano Guarnieri ''Pietra di Diaspro'' per 7 solisti, coro, assoli strumentali, orchestra e live electronics (2005) Teatro dell'Opera di Roma e Ravenna Festival (2007). In March 2005 Fabbriciani released an entire CD of music for hyperbass flute and tape, entitled ''Glaciers in Extinction'', on the Col Legno label.〔〔(【引用サイトリンク】title=ROBERTO FABBRICIANI (b.1949): Glaciers in Extinction for Hyperbass Flute. )〕 In 2009, Roberto Fabbriciani released another hyperbass flute CD entitled ''Nella basilica'', this time with tuba microtonale player Robin Hayward, on the Another Timbre label. In 2010, Roberto Fabbriciani released another hyperbass flute CD entitled ''Winds of the Heart'', this time with tárogató player Esther Lamneck, on the Innova label. In 2011, Roberto Fabbriciani ''Motion Capture'' (2011) per flauto iperbasso elaborato tramite motion capture e live electronics (35’ca.), 10.4.2011 – fl. R. Fabbriciani, live electronics A. Vidolin (Ed.SZ Milan, 14114 P. 14115 NS. N.) Peter Sheridan has recorded an album for MOVE RECORDS 2011(Melbourne Australia) titled "Monologues and Dialogues," that will feature the hyperbass flute on two tracks. "Differing Dialogues" by Monash University composer Vincent Giles, is set for solo bass flute with pre-recorded low flutes. In 2013, Roberto Fabbriciani released another hyperbass flute CD entitled ''Alchemies'', on the Brilliant label. 〔(【引用サイトリンク】title=Alchemies )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「hyperbass flute」の詳細全文を読む スポンサード リンク
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